Projects

Of Rats and Men

This is a (very preliminary) prologue to a sci-fi novel I’ve been thinking of writing for some time. It’s called 100 YEARS TO VICTORY, but obviously liable to change. My sole question is: Would you continue reading the rest of this book?

It’s been nearly a decade since I built my first cage.

It was an exceedingly small cage. Physically, and literally, it was about the size of a large computer, though its inhabitants were none the wiser to the fact. To them, it would have appeared as a world entire, a world of rolling plains and giant trees and gentle hummocks in which they could make their burrows. That world wasn’t particularly big either. It didn’t have to be. Not when it hosted consciousnesses that were conditioned by evolution to a home range of less than 50 meters in radius. As far as a rat was concerned, the neighboring hill might as well be a foreign country, and its denizens – instinctual enemies, to be exterminated so that its own clan could survive and propagate.

And so the years passed, passing into decades, and centuries. There evolved subtle differences between rats in different locales: The rats in the ice-bound north, for instance, developed white fur and epicanthic folds to protect against snowblind, while males in the torrid south acquired rich manes to attract females. Many thousands of rat generations appeared and disappeared in the blink of a human eye. Arbitrary eons of blood and breeding, and the profound indifference of a Mother Nature that canceled them out over any long enough period of time.

Then I said, “Let there be grain.” Stalks of wheat sprouted out at the bed of one valley. A moment-millennium later, rice appeared in a second valley, and was followed by flowerings of millet, maize, and sourghum in yet other places.

The rat clans flocked down to the new oases of abundance. Old social structures broke down, for it was no longer possible for the alpha rats to monopolize a given territory and its females; the population density was now too big to treat every interloper as a hostile intruder, to be confronted and chased away. New structures arose in place of the old, in the form of vastly more complex dominance hierarchies that mediated the distribution of mates and resources. The rat population exploded, and though their grain-based diet made them far frailer and more sickly than their ancestors, their numbers soon far eclipsed those of the remaining wild rats in the corners and remote places of the map. No plague born of the filth and crowds checked their numbers for long; no periodic violent shift in the power hierarchy made a noticeable dent in their teeming hordes.

An eye-blink later, and the population was a hundred, a thousand times what it had been at “t” equals zero. The burrows delved dozens of meters underground, and some rats even attempted to build earthen structures into the sky, with grain farms on top. Others took a clue from the squirrels and the otters, and began to settle in the trees and dam off streams and lakes. The zone of grain cultivation overspread the entire surface of the Ratlands, displacing roots, legumes, nuts, berries, and lower-yielding wild cereals. All but the smallest and more elusive insects were devoured into extinction, leaving more of the yearly grain crop for the dominant species. The cleverest rats even realized you could store calories from a surplus year by a skilful application of yeast and time. It would be nice to imagine that those inventors became very famous and snagged all the girls at the parties, but let’s not get too carried away here… they were, after all, just rats.

Despite these efforts, some rats began to grow hungry. Oh, there had always been rats at the margins, runts without muscle, mates, or money; nobody cared for those losers. To the contrary, their fellows of both sexes took pleasure in harassing them and biting at their backsides, as is the way of rats. They died as they lived: In the margins, forlorn and anonymous. But as the years clicked by in rapid succession, the numbers of these marginal rats multiplied, and now they were no longer all outcasts and weaklings. For the population had long outstripped the carrying capacity of the Ratlands, and most rats now lived at the edge of subsistence; crop yields declined, as hungry rats learned to dig into the ground to get at the seed grain. The dominant rats had to resort to increasingly brutal methods to maintain the social hierarchy and their own positions at the top of it. But their late-ditch attempts were to be in vain, for a couple of hard winters tipped the Ratlands over into all-out collapse.

Some of the marginal rats coalesced into all-male bands that began to wreck havoc all across the Ratlands. They would kill off the local dominant alpha rat, gang rape his harem, and scour his territory clean before moving on to ravage the next. Left to themselves, a few territories might have pulled through: Some rat broods had become good at planning ahead, storing grain as reserves, while other broods were resilient by virtue of having avoided overpopulation, or over-dependence on grain monoculture. But marauding bands and starving refugees from the worst affected areas spread outwards in concentric tsunamis of destruction, ensuring that what might have otherwise been a limited set of local collapses would turn into a truly global die off.

Zooming around the map as a spectator, I began to notice discarded rodent skins with bones strewn about them; the victims had been eaten inside out. Countless other rats met less gory but no less tortuous ends, expiring of hunger, disease, or infected wounds. Even as mortality spiked, the fertility rate collapsed, as the all-pervading famine and stress made many of the females unable to bear offspring.

An eyeblink later, the population of the Ratlands had collapsed to a tiny fraction of its peak level.

One might have thought that in the wake of so drastic a culling, rat society might begin to slowly, haltingly recover. This was not to be. For in the decades before the collapse, grains had become the dominant crop, and whatever flora and fauna had escaped earlier encroachments was now picked clean by starving rats in those last, desperate months. Long deprived of nutrients due to the inherent nature of monoculture cultivation, and lacking the deep roots of shrubbery to hold the soil in place, the earth dried up as soon as it was exposed to the sunlight. The few remaining grain stalks dessicated and withered away. The lush verdure that had preceded civilization was followed by the desert, and no insect chirps or avian tweets would ever disturb its eternal silent spring.

The remaining bands ran out of new territories to scour clean, and turned in on themselves in a war of all against all.

The last rat breathed his last.

A melancholy wind blew across the Ratlands, now as deserted as they had once teemed with hustle and bustle. It gusted into the empty warrens beneath the grassy hummocks, failing to dispel the stench of death within, and tipped the lake-waters over the earthen dams that rats had built. The floodwaters, at least, were more effective at cleansing the land, replacing the decay of a civilization no matter how primitive with an entirely more elemental and natural oblivion.

Just a few decades later, there was no indication that the Ratlands had ever hosted their namesake. There was nothing more to be learned, so I switched off the simulation. After all, they were just rats.

This was when I first heard the voice, whispering to me: “Would humans do any better? Are we really all that different from rats?”

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Reviews

Review of C.S. Friedman’s “Black Sun Rising”

Black Sun Rising (Book 1 of the Coldfire Trilogy) by C.S. Friedman, published in 1991. Rating: 3/5.

The Coldfire Trilogy is sometimes described as a successful fusion of sci-fi, fantasy, and horror. So what better work to start reviewing on this site?

I will be forthright: By far the most wondrous and intriguing element of this series is the world Celia S. Friedman built. Not really in the details – names are generic, and cities have no character of their own – but in the metaphysics. This is a world where simply thinking about something can bring it into being. This is reminiscent of other fantasy worlds like Solaris, numerous Philip K. Dick creations, and The Wheel of Time’s Tel’aran’rhiod. If you’re the type who has a lot of nightmares, living there probably wouldn’t be your cup of tea: “Erna is a harsh mistress.”

The interrelations between the cognitive and physical realms are mediated by the fae. The fae are a sort of energy current that can be manipulated, or “Worked,” by conscious minds to produce what we might think of as magic. But don’t call it that! For as the main hero of the story points out, “The fae is as natural to this world as water and air were to our ancestors’ planet.” Nor is it all bad: It can reinforce buildings against earthquakes, and cure wounds (giving faith healing an altogether more literal meaning!). The natural world, as a result, is subject to Lamarckian evolution: “Here, if trees grow taller, the next gaffi calves are born with longer necks.”

As it is now more than a millennium since humans first settled the planet, the concept of a world without fae is hard to imagine. Even though Damien Vryce, the main protagonist, serves a Church that is committed to the extirpation of the fae, he himself reacts to a vision of such a world with terror:

Explosives fire like a sharp drumroll in the distance, the crack of a hundred pistols perfectly synchronized. He feels a sharp bite of fear at the sound, at the unnaturalness of it. What kind of Working must it take, to make it possible for so many guns to fire successfully, with such planned precision? … For the first time in his life, he knows the rank taste of terror. Not the quantifiable fear of assessed risk, but the unbounded horror of total immersion in the unknown. Guns fire once more in the distance, and for the first time since coming here he realizes why they can function with such regularity. Man’s will has no power here—not to kill and not to heal, not to alter the world and not to adapt to it. The whole of this world is dead to man, dead to his dreams, impassive to his needs and his pleas and even his fears. The concept is awesome, terrifying.

This vision was created by Gerald Tarrant, the anti-hero of the story, to evoke fear in Damien. He is a centuries-old sorcerer who escaped death by pledging himself to demonic forces, gaining immortality and great power over the dark fae in return for regularly engaging in murder and feeding off the fear and terror of his victims – hence, his psychological torture of Damien, which the latter agrees to. But Tarrant is also the original founder of Damien’s Church, even if he has long abandoned its ideals (albeit he says it’s not that simple). This makes for an uneasy and tension-filled relationship between the two that looks like it will evolve in interesting directions in the next two books. It is also the main reason that I will continue reading the series to its end.

So why the rather mediocre rating? Plot. Characters. Consistency. It is not entirely clear why Damien became so committed to Ciani in the course of a weeks-long fling that he would literally travel to the ends of human civilization to bring back her stolen memories. Nor do I even recall why she was singled out in particular. The Big Bad’s fortress is originally described as a massive, physically-impossible structure of “naked stone” that “rose up from the earth like a basalt column,” but soon afterwards it becomes a citadel that was like “a jewel, a prism, a multifaceted crystalline structure that divided up the night into a thousand glittering bits.”

The very title of the book is “Black Sun Rising,” but there is only one reference to a black sun that I can recall. And unless it’s a metaphor for Tarrant, I don’t see it leading anywhere:

In the far north, across the Serpent’s waist, a midnight sun is rising. Black sphere against ebony blackness, jet-pure; a thing that can only be Felt, not Seen. Into it all the light of the world is sucked, all the colors and textures that the fae contains: into the crystalline blackness, the Anti-Sun. He stares at it in adoration and horror and thinks: There, where all the power is concentrated, like matter in a black hole . . . there is the power we need for this quest. Power to shake the rakhlands and make our kill and move the earth besides!

Apart from the stolid Damien Vryce and the darkly seductive Gerald Tarrant, the other characters are quite wooden, Senzei in particular giving off the vibes of an expendable (and accurately so, it turned out). Despite or rather because of his inherent intrigue and dark mystery, Gerald Tarrant is – looking at it in another way – a quite banal product of the feminine erotic imagination. Like a fusion of Stephanie Meyer’s vampires, and the serial killers who get bags of love letters in the mail, as channeled through Ciani:

With consummate grace, Tarrant walked to where she stood, took her hand in his, and bowed gallantly. Gritting his teeth, Damien was forced to acknowledge the man’s charm. … With a sinking feeling Damien realized just how drawn she would be to the Hunter, and to the mystery that he represented. It would mean little to her that he tortured human women as a pasttime, save as one more fact for her to devour.

It’s all the same power to her. He’s just another adept. More interesting than most, perhaps—but that only makes him more desirable. The cost of it means . . . nothing.

Essentially, the sheer awesomeness of Gerald Tarrant paradoxically cheapens him as a character, especially when he decides to slum it with mere humans. But maybe I am missing something big that explains all this in a later book.

Finally, there is also an ecological and anthropological element to the story. There is “The Forest” that Gerald Tarrant had engineered into existence with the force of his will, his need, and his intellect; sunlight and its solar fae are deadly to a man of the dark like himself, so over the long centuries, he created an entire ecosystem that could thrive without sunlight. There are the rakhlands, home to the rakh, a cat-like species that – under the avalanche of human fears over a rival species – evolved intelligence. The humans tried to exterminate them out of existence, with the result that the rakh retreated to an isolated part of the continent and erected a barrier called the “Canopy” to protect themselves from humankind. In a world where thinking really is existing, the Canopy can be seen as an “extentsion of their communal protection [and of] their need for protection [against man].” We also meet the “Lost Ones,” subterranean-dwelling relatives of the rakh who eat creatures from the above – including their cousins – for sustenance. They are the Morlocks/Falmer of Erna.

Have no illusions: This is not a landmark fantasy series. The characters are forgettable, with the partial exception of Damien Vryce and Gerald Tarrant (although the latter has his own issues). The plot meanders considerably, and is barely discernible in places, like the earth fae over the ocean. I think there are too many points of inconsistency for them all to have been a result of errors on my part as a reader (if so: Apologies. Maybe somebody was stealing my memories when I was reading the book?). There is also one character’s miraculous and unexpected survival at the end that, much like Sherlock Holmes’ faked death, strains the bounds of credulity. I wonder if the author will explain this sometime, or whether its a deus ex machina that will lie buried – unlike the unlikely survivor – to the end.

But it intrigued my just about enough to download the second book. I guess that means that aura of Erna can still draw you in even despite quite significant flaws in execution.

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Admin

Welcome Back!

First off, a necessary clarification, to any returning readers who remember this blog as being about “Eurasia, geopolitics and peak oil”: It’s gone. It no longer exists.

Well, not gone, precisely. What actually happened is that all that material you’d have seen around here has been migrated. I now blog about Russia at Da Russophile, while AKarlin hosts all-the-other-things-that-interest-me type of stuff.

This is going to be my “literary” blog where I will review fantasy and sci-fi books, jot down notes on the philosophy of writing, and eventually publicize my own fiction books.

Writing a fantasy series has been one of my greatest ambitions since childhood, when, inspired by Tolkien and the DOS video game “Loom,” I began to sketch fantasy maps and build plot arcs of great heroism and tragedy. Well, what I took to be “great”, anyway: My idea of a good finale back then was to have the baddie die by getting impaled on a giant cactus called “Spikey” which he lugged about with his army. More corny than cathartic, to be honest.

But I have continued reading and learning, and I now have a much better idea of what constitutes truly epic and immersive speculative fiction. And the day draws nearer when I begin realizing it into being.

If you want to stick around to observe the process, I’ll be glad to have you on board. If however you were, and are, only interested in the old Sublime Oblivion stuff, then you know where to go.

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